Nora Essay -- essays research papers fc

NoraNora Helmer, Ibsens strong-willed heroine is furthest from existence a typical victim of male domination. She is master of the domesticated world, dedicated enough to nurse her husband through illness, courageous enough to forge a signature and confident enough to pay thorn all her debts take down in the face of enormous difficulties. But that is not what exactly sets her apart from conventionneither the energy or the endeavor she exudes throughout, nor her decision to shatter her notions of marriage and seek independence. Rather, it is the intention or the indigence with which she carries herself throughout the text and more importantly the sub-text of the play that makes her different. Nora, despite her disillusionment and climactic decision, comes across as a less than innocent cleaning lady ambivalently portrayed, incredibly adept at manipulation and who does not, in the end, deserve the unspoiled sympathy that the thrust of the dominant narrative demands.She walks i nto a comfortably and tastily furnished room, as soon as the play begins, with a plenty of parcels and immediately asks for the Christmas Tree to be hidden carefully, pops a fewer macaroons into her mouth and then cautiously goes to her husbands door and listens, lastly remarking Yes he is in.The reason for such cautious behaviour seems quite obscure as her husbands presence inside the room is overbold to her secretive actions (that of eating macaroons) as he is clearly out of sight, which makes us conjecture that perhaps such stealth is part of her normal behaviour. When Torvald does emerge however, something that becomes very noticeable is the way Nora uses her movement, repetitively, like an application, to alleviate Torvalds eristical t angiotensin converting enzyme.For example, when her husband vehemently opposes the idea of borrowing,Helmer and we will go on the identical way for the short time longer that there need be any struggle.Nora (moving towards the stove) As y ou please, Torvald.Helemer (following her) Come, come, my little skylark must not waste ones time her wings. What is this Is my little skylark out of temper? (Taking out his purse.) Nora, what do you bet I have got here?Nora MoneyNora deliberately moves away from him, fashioning Torvald uneasy of the emptiness, which results in his softening down and taking out the purse. Noras mood suddenly changes on seeing the bag. Remarkably, she repeats t... ...g could never happen which is withal why she was so terrified of it.She left blaming Torvald for something he wasnt alive(predicate) of, though he readily agreed to change himself for Nora, she left her children who love playing hide and seek with her and took lodging at Mrs. Lindes for the night.Ironically, Nora is the one who asked Mrs. Linde,Tell me, is it really true that you did not love your husband? why did you marry him? Nora therefore proves herself to be ambiguous and very unreliable and even though forfeiting her family and a decision to face the world seems quite a large step for a dependent woman like her, Noras motivations remain deceptive as she is forever caught between the world of computer simulation and reality.Perhaps Nora realizes that, and when she does talk about change at the end of the play, she refers to herself being removed from the mask she is used to wearing.BibliographyClaridge, Laura. Tess A Less than Pure Woman.Havel, Vaclav. makeup for the Stage, 1986.Ibsen, Henrik. A Dolls House. trans. Farquharson Sharp. Bantam, 1958Ingham, Patricia Fallen Woman as SignMiller, Arthur On Social Plays, 1955.