Sir Gawain and the Green Knight & color Essay -- essays research paper

Though often extensive detail may be condemned as mere flowery language, in understanding Sir Gawain and the spurt horse one must make special emphasis on it. In color and imagery itself, the unknown author paints the genuinely fibers of this work, allowing Sir Gawain to discern the nuances of ritualistic chivalry and truth. His quest after the Green cavalry is as wide-eyed as ones quest toward himself. Through acute awareness of the physical creation he encounters Gawain comes to an understanding of the world beyond chivalry, a connection to G-d, the antecedent of truth. He learns, chivalry, like a machine, will always function properly, hardly in order to derive meaning from its product he must allow nature to affect him. At the onset of Sir Gawain and the Green darkness the unknown author goes to great length physically describing the opulence of Christmastime in Arthurs court. For Camelot even Christmastide, a deeply ghostly holiday, is given significance base on its futile aesthetic veneer alternatively than inherent religious value. The dais is well decked (Sir Gawain and the Green Night, 75), and costly silk curtains (76) canopy over fag Guinevere. The knights are described as brave by din by day, dancing by night (47 ), this is to say they are the paradigm of bravery and gentility. Both bravery and gentility are not indicative of the cavalrys clementity, his feelings and thoughts, rather how appears and acts.Dissimilar to King Arthurs opulent and boyish description, the Green Knight appears mundane, like an overgrown lumberjack in a de butante ball. His very entrance to the narrative aims to shatter Camelots superficial kind with earthly trials. While Arthur seeks pleasure in hearing tales of some fair transaction (92), the Green Knight undermines all formality known to be chivalric challenging the king to a lifetime risking game. With a broad tell apart to buttocks (137), (opposed to Arthurs court depicted in the ever kingly co lor red,) the Knight is clothed in green, the color of nature. He appears with no armor other then his faith, merely a utilitarian woodworkers ax. While Green Knight is described like an animate being who is said to have wagged his beard (306) yet understands the cyclical nature of life and truth of mans futility, it is only after Sir Gawain proclaims his lack of strength (though he says it at that point as a matter of chivalry) that he is able-bodied to ... ...Gawains time in the wilderness, living nature, and his acceptance of the ladys fling of the green girdle teach him that though he may be the most chivalrous knight in the land, he is nevertheless human and capable of error.Through jest of a game the Green knight enlightens Gawain the short sights of chivalry. He comes to realize within himself that the system which bore him set appearance over truth. Ultimately he understands that chivalry provides a valuable set of ideals toward which to strive, but a person must retai n disposition of his or her own mortality and weakness in order to consist deeply. While it is chivalrous notions, which kept him, alive throughout the test of the Green Knight, only through acute awareness of the physical world meet him was he able to develop himself and understand the Knights message. From the onset of Sir Gawain and the Green Knight the author relies intensely upon descriptive language to create ambiance and tonality, but it is only later in the work, upon Sir Gawains development, that like Gawain, the reader is able to derive meaning from the descriptive physicality and understand the symbiotic relationship of nature and society.