Reaserch Paper on Othello the Moor of Venice, as a tragedy Research

Reaserch on Othello the secure of Venice, as a catastrophe - Research Paper theoretical accountAristotles concept of cataclysm is based on a sum total of a a few(prenominal) essential fundamentals that are a complex plot with a equal beginning tenderness and the end, organic unity, appropriate length, the unities of time and place, apt relationship between the character and plot, goodness, consistency of characterization, hamartia, peri favor, anagnorisis or discovery, feelings of pity and fear and catharsis.1 Based on the parameters as established by Aristotle for a worthy disaster, William Shakespeares Othello, the Moor of Venice is an ideal Aristotelian tragedy. Othello is a specific tragedy of passion and to label it as an Aristotelian tragedy is certainly appropriate. Of all Shakespeares tragedies, Othello is the near painfully exciting and the most terrible. As one goes through it, one experiences the extremes of the feelings of pity, fear, sympathy, disgust, sickening hope and alarming expectation. Outline I. grounding A. Cursory analysis of Othello B. Aristotle parameters for a tragedy and a tragic hero II. Body A. Tragedy and plot B. Attri besideses of a tragic hero as per Aristotle B. Catharsis and tragedy III. Conclusion A. Othello, the Moor of Venice satisfies all attributes of a tragedy enunciated by Aristotle Essay Introduction Othello, the Moor of Venice, could and should essentially be classified as a typical Aristotelian tragedy and Othello is the most worthy tragic hero of Shakespeare who satisfies almost all the credentials of a tragic hero as evinced by Aristotle. As one goes through the gyp Othello, one experiences the extremes of the feelings of pity, fear, sympathy, disgust, sickening hope and a dreadful expectation.2 Evil is displaced before the reader in such a way that one simply watches its continue in an awed and fascinated worldly concernner. A lot of factors contribute to the exciting and painful impact of this play a s the conflict in Othellos mind, the ensuing sexual jealousy, Desdemonas humiliation and murder, the accompanying enamor and so much.3 Besides, the role played by accident in Othello produces not only a knockout sense of the working of fate, but makes the play more terrible. In Othello, so many things happen by chance to aid Iagos plot that one feels that his victims are also the victims of fate. Then there is the slender comic relief in the guise of Iagos humor, which is most of the times grim rather than amusing. In the context of the tragedy and a tragic hero, Aristotle in his work Poetics elucidated on some specific requirements as to the nature and form of plot and the qualities of a tragic hero. It will be really interesting to compute Othello, the Moore of Venice, on the parameters set by Aristotle as to establish that it is a worthy tragedy with a suitable tragic hero. Plot In the context of a tragedy, Aristotle stresses the primacy of plot.4 He begins his ranking of the six parts of the tragedy with the assertion that The most important of these parts is the arrangement of incidents, for tragedy is not an imitation of a man, per se, but of human action and life and happiness and misery.5 Aristotle further reinforces the need for the right plot by declaring the human life to be a process. Aristotle holds that the human life is constantly changing and the changes that a man experiences tend towards happiness or unhappiness. Thus a tragedy is not possible